Grave of Rebbe Nachman - circa 1920 (man at entrance - Reb Alter Tepliker הי"ד)

Friday, February 19, 2021

HANGING THE 10 SONS OF HAMAN

BH 



The Megillah of Esther tells us about the intense and extreme hatred that Haman had towards Mordekhai, to the extent that it was considered a small feat to "do away" with Mordekhai alone. Rather, he felt it only proper and justly to annihilate the entire Jewish People along with Mordekhai.

The Zohar teaches that Haman - being the incarnate representation of evil in his time - gathered all available levels of impurity power to subdue and destroy Mordekhai and the Jewish Nation. They were culminated and reflected in his ten sons, who represented the 10 levels of impurity which correlate and mirror the 10 levels of holiness/sefirot etc. 

Rabbi Mordekhai Moshe Sasson - a kabbalist from the early 19th century, in his book "Dvar Be'Ito, explains that in the names of the 10 sons of Haman are hinted to the attributes that they wanted to attack and destroy first from the Jewish Nation before their total destruction:

  1. Parshandata - to separate (מפריש) the Jews from the Torah religion (דת)
  2. Dalfon - to open the Jews to a doorway (דלת) to evil directions in life (פניות)
  3. Aspata - to immerse the Jews in a lust to gather in (לאסוף) money
  4. Porata - to immerse the Jews with illicit sexual desire and relations (בית-התורף)
  5. Adalya - to elevate (דלה) the Jews with haughtiness and ulterior motives
  6. Aridata - to distract the Jew's prayers with fears and phobias like a lion (אריה) would
  7. Parmashta - - to undo (פורם) the stitches (שתי) connecting all Jews together
  8. Arisay - to infuse the Jews with the venomous poison (ארס) of the [primordial] snake
  9. Ariday - to subjugate and limit (רודה) the Jews
  10. Vayzata - to embitter the Jews wish harsh judgments - like the bitterness of an olive (זית)
To go a step further we can see that the 10 sons of Haman were the antithesis of the 10 Sefirot and by extension the 10 types of Song used by King David to compose the book of Tehillim (see Pesachim 117a).

Song and melody - being the main bridge to connect the physical to the spiritual - are the main usage in the daily life of a Jew in his connection to Hashem. We pray daily, we study Torah daily, we recite blessings daily etc... All of these "sounds" are categorized under the 10 types of Song. For this reason, they are the source of our joy and happiness, which are the main keys for Jewish survival and continuity throughout the exiles we have gone through.

And if, Heaven forbid, the spiritual root to our prayers, Torah study and blessings would be blocked off, we would have no longer any way to reconnect ourselves to the realm of holiness, and automatically wither away in the meaningless physicality of this world.

With that said, we can see what type of melody and song were the target of each son of Haman:
  1. Halleluy-ah (Praise) - corresponding to the Sefirah of Tiferet, it represents the "praise" of the splendor and beauty of Torah study and observance. This was the target of Parshandata (see above).
  2. Mizmor (Hym resulting from a courageous feeling) - corresponding to the Sefirah of Gevurah, it represents the song of strength resulting from the ability to create necessary boundaries and restrictions (to "cut-off" - לזמר - evil influences) so that one can properly attune to the frequency of Hashem. This was the target of Dalfon.
  3. Hoda'ah (Thanksgiving) - corresponding to the Sefirah of Hod, it represents the ability to "thank" Hashem for every tiny detail - especially that of financial sustenance - with much appreciation. This was the target of Aspata.
  4. Tefillah (Prayer) - corresponding to the Sefirah of Malkhut, it represents "prayer" that is a result of total mastery and control over one's sexual lusts. For commensurate to how much a person sanctifies himself in this area is he able to experience the bliss of true connection in prayer. This was the target of Porata.
  5. Niggun (Melody) - corresponding to the Sefirah of Chesed, it represents the expression of singing "melodies" to Hashem due to the humility a person feels when experiencing the unearned kindness of Hashem. This was the target of Adalya.
  6. Nitzuach (a song of Victory) - corresponding to the Sefirah of Netzach, it represents "victoriously" succeeding in overcoming the distracting thoughts while davening, thus praying with a clear head. This was the target of Aridata.
  7. Shir (Song) - corresponding to the Sefirah of Chokhmah, it represents the culminated "song" generated by many Jews attached together, despite their diverse differences. For it requires great wisdom (Chokhmah) to unify so much diversity. This was targeted by Parmashta.
  8. Maskil (song of Instruction through choice) - corresponding to the Sefirah of Yesod, it represents a song resulting from making the right and proper choices and decisions in life, thus being saved from the poison of failure and futility. This was targeted by Arisay.
  9. Berakhah (Blessing) - corresponding to the Sefirah of Binah, it is the reflection of blessings one give to Hashem over the blessed life and freedom that in endowed to a person to willfully serve Hashem. This was targeted by Ariday.
  10. Ashrei (Fortunate) - corresponding to the highest Sefirah of Keter, it is the reflection of song due to feeling the good fortune of Hashem's benevolence and being spared from harsh judgment and decrees. This was targeted by Vayzata.

Together with their father Haman, these 10 sons formed a very formidable force to first destroy the morale and hope of the Jewish Nation and then to destroy them physically. It is no wonder that the Sages said that this was such a dangerous and desperate time for the Jewish Nation unmatched by any other time in history.
However, what Haman overlooked was that he underestimated the true power of Mordekhai the Tzaddik. Mordekhai - unlike the other Jews of his time - was totally undaunted by the fear and futility generated by Haman's decree nor to the evil influence of his 10 sons.

Mordekhai's success lay in that he believed so strongly in the inner power of the Jewish soul to reach out and connect to Hashem's lovingkindness no matter what the scenario. And more than this, he convinced his fellow Jews to follow suit and constantly hope and pray to Hashem for help.

This is hinted to in his name which is made up of two words - Marey Dakhya - which is the Aramaic translation for Free (i.e. unadulterated) Myrrh. The word for Myrrh can also be read as Marut - mastery. Thus he was the Master of Freedom - he could avoid the interference and hindrance of fallen fear and phobias drawing him away from his devotion to Hashem. His greatest success lay in Esther - his ultimate student! - who displayed the most noblest levels of Fear of Heaven and courage for the sake of Hashem's Name and honor.

Thus, the miracle of Purim took place as a result of Hashem listening and accepting the prayers of Mordekhai and those who heeded him. As it turned out, the tables were turned and Haman and his 10 sons were hanged while the Jews enjoyed true freedom and joy, which finally reached full expression in the 10 types of Song sung and played by the Levites when the Second Temple was finally restored and rebuilt.
May Hashem have pity on us, and receive our Purim mitzvot and joy, and remember us in our exile to finally bring forth the 10 types of Song at their fullest extent, thus bringing us true alignment so that we can receive the Third and final Holy Temple with true joy and happiness, Amen.

(for more details on the concept of the 10 type of Song, please listen to the following playlist: LIKUTEY MOHARAN LESSONS 205 AND II 92)


A SPECIAL PURIM MITZVAH AND OPPORTUNITY!!

TO FULFILL THE PURIM MITZVAH OF MATANOT LA'EVYONIM WITH NEEDY FAMILIES IN JERUSALEM ON PURIM DAY, FRIDAY, FEB. 26, PLEASE FOLLOW THIS LINK AND SEND YOUR FUNDS NO LATER THAN THURSDAY, FEB. 25. AND MAY YOU BE BLESSED TO HAVE A JOYOUS PURIM FESTIVAL!

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